Art Rock Tendencies

I have been invited to contribute to the blog Art Rock Tendencies, run by Darin Tambascio of progressive sludge metal band National Sunday Law. I am currently writing a series of articles entitled ‘Rock Meets Classical’, which you can read below:

Part 1: Who Cares?
Part 2: Bang on a Can
Part 3: Prog-Rock Classical Covers.
Part 4: Classical Concepts in King Crimson’s ‘Larks Tongues in Aspic’
Appendix: Symmetrical Scales Explained
Part 5: Interior City
Part 6: Analyzing Discipline
Part 7: Pervasive Discipline
Appendix: Motivic Connections in James Bond Title Themes
Part 8: THRAK

And I’ve started a new series called ‘Structure in Prog’:

Part 1: Pop Structures in The Mars Volta’s Frances the Mute

I have also posted a review of Meshuggah’s ‘Koloss’.

Take a look inside Interior City’s full score!


I use traditional drum notation in my scores, but Travis Orbin’s drum set transcriptions are written in his own special guitar pro notation. A legend can be found at the top of his transcription of Pixieprog (one of his solo tunes). If you’d prefer to view his version of the notation, you can find it below:
Ranting Prophet
Fear of Humanity
My Alien Father
Retreat Underground
Subway Dwellers
Defense Highway
Inner Sanctum
Curing Somatization