View Travis Orbin’s drum tracking video for ‘Curing Somatization’:
Gabriel’s Notes: Here we are – the final song from Interior City, and the most intense and relentless song I’ve ever written. I think it is best to let this song speak for itself, so I won’t say too much about it. This was a tough one that put strain on almost everyone involved, thanks to the difficulty of writing a satisfying closer, time constraints, the difficulty of playing the song, technical errors, and the sheer number of layers. Despite the huge amount of material that ended up in the song, quite a bit was cut along the way. Every song on the album is reprised here, though some are much more obvious than others. I also lifted a rhythm from Messiaen.
I was probably a bit manic while writing this – there are 7 pages of lyrics, and there are almost always multiple texts being sung/spoken at once, often with their own 2-4 part harmonies. I’d write a complete vocal arrangement for a section and decide it wasn’t good enough – but instead of deleting it, I’d turn it down until it was a background detail and write new parts on top of it. I then re-recorded ALL of it in the studio, usually with doublings, resulting in around 60 vocal tracks (including some screams by Travis) and a total of 200+ tracks in the session. Here’s a glimpse of that insanity:
Travis’s Notes: The final and (appropriately) most intense video in the ‘Interior City’ series is “Curing Somatization”. This tune is probably within the top ten hardest I’ve ever tracked, mostly due to time constraints. Gabe didn’t finish the demo until about two weeks before we hit the studio, and between writing parts and rehearsing the rest of the album it was a pretty close shave!
The cymbal setup is the same as “Retreat Underground”, although with my ‘stack’ instead of a splash and a 20″ MDM ride on the right side.
I included a few seconds of “Languishing in Lower Chakras” to try to convey the absolutely devastating segue between both tunes. However, the full effect is best achieved by listening to the entire song, of course.
I also contributed some guest vocals (screaming/yelling), which was a blast. The opening scream is Gabe and myself together in the live room, holding one mic and screaming into it simultaneously. There’s some scattered stuff from 4:30 – 5:17 too.
I’m not gonna bother with notes or highlighting sections – just watch this monstrosity of a piece and enjoy. ‘Interior City’ is one of my favorite sessions ever and I urge you all to purchase the album if you enjoy these session vids. Thank you, Gabe!
Full drum set transcription
Tempo = 90 BPM
Tempo change (1:26) = 100 BPM
Tempo change (5:17 – 5:19) = ‘linear decrease’ to 90 BPM until the drums finish